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Fabrica is Benetton’s communication research centre, created in 1994 from Benetton’s cultural heritage. It is located near Treviso in a complex which Tadao Ando restored and enlarged.

Fabrica’s challenge is both an innovative and international one. It is a way of marrying culture and industry, using a form of communication which no longer relies only on the usual kinds of advertising, but conveys industrial culture and the company’s intellect through other media: design, music, cinema, photography, publishing, the Internet. Fabrica has chosen to back the hidden creativity of young artists/researchers from all over the world. Following careful selection, they are invited to develop concrete communication projects under the direction of some of the main players in these areas.

Through the Fabrica: Les Yeux Ouverts exhibition held at the Pompidou Centre, 6 October - 13 November 2006, one of the world’s foremost cultural bodies expressed its respect and appreciation for Fabrica’s work. This acknowledgement was confirmed by the international media’s attention and by the high number of visitors, over 100,000 in five weeks. The exhibition was divided into themed areas and included a programme of screenings, concerts and conferences. It showcased Fabrica’s many different “souls”, from its documentary work through COLORS and photo reportages, to its more artistic, visionary and conceptual side through films and installations.

In this field, Fabrica has developed numerous campaigns for cultural bodies and non-profit organisations such as the UN, the FAO (the UN Food and Agricultural Organisation), the UNHCR (the United Nations High Commissioner for Refugees), WHO (World Health Organisation), Amnesty International, Reporters Without Borders, SOS Racisme, Lawyers Committee for Human Rights and Witness. Fabrica has created several communication projects for Benetton Group since 2000, often in partnership with humanitarian organisations. These projects include James and Other Apes (2004), with the support of primatologist Jane Goodall, and Food for Life (2003) in co-operation with the World Food Programme, the UN agency that leads the fight against hunger around the world.

Another field of Fabrica’s research is photography, which creates the foundations of exhibitions like Visions of Hope (held to mark the first anniversary of 11 September and organised in collaboration with The New Yorker weekly magazine), publishing projects like Kosovars (published by Leonardo Arte and produced in refugee camps in Kosovo) and Lavoratori (“Workers”, published by Feltrinelli, about immigrant workers in north-eastern Italy) and the above-mentioned communication campaigns. Among the most interesting recent ventures is I SEE (2006) an exploration of the directions in which historical, cultural, artistic and socio-economic developments are going, seen through the eyes of six young photographers in the world’s six main geographic areas (North America, South America, East, Far East, Africa, Europe). Two young Chinese photographers from the Photography area produced an entire issue of COLORS about Beijing, published in March 2007.

Fabrica has co-produced a number of films, that competed at the leading European film festivals, in order to support and encourage independent voices from the “rest of the world” (particularly Africa, the Arab world, Asia, Latin America). They include No Man’s Land by Bosnian director Danis Tanovic (Best Screenplay award at Cannes 2001, Golden Globe for the Best Foreign Film and Academy Award for the Best Foreign Film 2002), Secret Ballotby Iranian director Babak Payami (Best Director award at Venice 2001) and Chinese director Zhang Yuan’s Seventeen Years (Silver Lion for Best Director at the 1999 Venice Film Festival). Fabrica’s last film project was Tropical Malady, by Thai director Apichatpong Weerasethakul, which won the Jury Prize at Cannes in 2004.

Music is another area in which Fabrica explores new forms of communication through the creativity of artists-experimenters from around the world. The world première of Winners took place in 2006. Winners is a multimedia joint venture in co-operation with the Brisbane Festival on the theme of the dialogue between winners and losers. The music is accompanied by performances, interactivities and audio and video link-ups. Fabrica designed the new multimedia production for Surrogate Cities – Venezia, by German composer Heiner Goebbels, which opened the Venice Music Biennale at La Fenice opera house in 2005. CREDO, created in 2004, is a multimedia work that addresses religious and ethnic conflict. After the première at Karlsruhe’s Staatstheater, it was presented in Rome for the 5th World Summit of Nobel Peace Prize Laureates.

Fabrica’s young designers are working on innovative products, interior design and industrial design projects. Fabrica launched Fabrica Features in Bologna in September 2001. Fabrica Features are retail spaces that sell the brand’s design articles and double as multiethnic and multimedia spaces where concerts, screenings, live performances and workshops offer major opportunities for people to meet. Today, Fabrica Features spaces are also in Lisbon, Hong Kong, Rotterdam and London. Fabrica has designed many different collections for leading international brands, such as Paola C. (two tableware collections, in 2002 and 2005), Metalarte (a range of Pyrex lamps, 2005) and Casamania by Frezza (a garden furnishing accessories collection presented at the Milan International Furniture Show in 2005).

In addition to a number of international award-winning websites, Fabrica’s new media projects include web design, video art, interactive games and multimedia events. One of its main current projects is UCB TV, the Benetton sales network’s TV channel, designed to promote the brand’s global philosophy, support retail operations and publicise entertainment and video art contents created by Fabrica.
Winner of the Grand Prize Award at the prestigious Japan Media Arts Festival, FLIPBOOK! (http://www.fabrica.it/flipbook/), an interactive animation project, enables anyone to draw an animated story, then upload it and share it online. In just a few months, the site had 15 million visitors and over 200,000 animations were uploaded.
From 3 March to 20 April 2007, Shanghai’s Museum of Contemporary Art (MoCA) invited Fabrica to take part in the interactive and multimedia art exhibition, REMOTE/CONTROL, with its installation Piacere, Fabrica.
Furthermore, Fabrica is responsible for updating www.benettontalk.com, a blog open to everybody’s ideas, where people can reflect, send comments or post their opinion on global issues: the environment, rights, diversity, local communities, development.

Its work in traditional media forms, like publishing, has generated a series of publications, for which Fabrica often creates the photography. These include COLORS 1000 Extra-Ordinary Objects (2000) and COLORS 1000 Signs (2004), both published by Taschen. Fabrica 10 - From chaos to order and back (Electa, 2004) gives a round-up of Fabrica’s activities over its first ten years.

Fabrica’s publishing activities include COLORS, the magazine financed by Benetton Group. The latest issue, no. 71, on the newsstands in June, deals with the environment.
The full series of COLORS issues was included in the 25/25 exhibition at the Design Museum, London (29 March-22 June 2007), which features the 25 most influential design objects of the past 25 years.
COLORS’s first thirteen issues, under Tibor Kalman’s editorship, were also included in the “hit parade” of the 51 best magazines ever published, drawn up by Good Magazine, a culture and lifestyle magazine published in the United States.
COLORS is sold in over forty nations; it is published in three editions, four languages and on the Internet.


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